Today it’s a pleasure to share an interview with Edgar Swamp, the authors book Amber Hollow definitely sounds like my kind of read. It’s described as
new mystery blends horror and fantasy in white-hot thriller centered on cursed Wisconsin village
SAN DIEGO, California.
Edgar Swamp’s new novel turns the classic detective mystery on its head by mixing elements of horror and fantasy into an epic page-turner. The isolated village, fiery tragedy, and ancient curse of “AmberHollow” will keep even the most seasoned mystery reader guessing. Before I share the interview here’s the book description…
Detective Jeremy LeFevre and his partner Detective Sadie Conrad find themselves baffled as they step into a homicide case with 595 victims — and no evidence. The scene of the crime, Amber Hollow, is known by neighboring towns to be a reclusivisitic, colloquial community with a history of unverified mysterious occurrences, when a fire rages through the small Wisconsin village, killing everyone but five people.
The partially intact bodies of the few victims
recovered suggest violent deaths prior to being incinerated, but the lack of forensic evidence has the detectives and pathologists stymied. Making matters worse, the five survivors contradict each other with wild stories and accusations. Only one detail connects their testimonies –– that the mayor, Anthony Guntram, is to blame.
With a dead suspect and nothing else to go on, the two detectives must learn the secrets of Amber Hollow before anyone else becomes victim to its curse.
“Amber Hollow” is your fourth book but your first foray into mysteries. What drew you to the genre?
I wanted to create a story enshrouded in mystique, one that would keep readers guessing as I gradually doled out misinformation, capping it off with a wildly unpredictable ending. “Amber Hollow” is centered around two detectives investigating a seemingly impossible case, so for what I wanted, the format appeared to be the best choice. It was intended to be a horror novel, but it reads like a mystery. Hopefully, the combination of genres resulted in a truly special piece of fiction.
How has your writing process evolved since your first book?
With each new novel, I endeavour to be more efficient with my character development and pacing, always keeping the story moving. I try to grow and learn with each book, seeing what worked for readers and (most importantly) what didn’t. Know who your target audience is, and give them what they want. Reading books by great writers helps, so it’s best to keep up with your reading, no matter how much you want to write. And re-writes are essential; that’s a constant for me. A novel is never finished until I’m at least 95 percent certain that it’s done (there is no 100 percent for me, unfortunately, I feel I could always do something better).
Besides cheese curds and football, Wisconsin is known for its serial killers. How did growing up there influence your decision to write a horror novel?
Wisconsin has a climate that is geared for indoor activities if you don’t especially favour the cold, so I have to thank the West DePere Library for introducing me to a plethora of writers who specialise in scaring readers silly. Curling up with a good book in front of a blazing fire was a favourite pastime of mine growing up, when I wasn’t outside shovelling mountains of snow! Also, my father worked in law enforcement, and he always had some really cool stories. For instance, he once had the chance to meet Ed Gein (Painesville, Wisconsin, serial killer circa 1953-54, who inspired the movies “Silence of the Lambs,” “The Texas Chainsaw Massacre,” and half a dozen others). Ed was serving multiple life sentences at the Mendota State Psychiatric Hospital for the Criminally Insane, and a guard who knew my father made the offer. My dad took a hard pass on that one; because of his occupation, he saw enough blood and guts on a regular basis owing to hunting accidents and vehicular manslaughter cases, so the last thing he needed was to meet a cannibal who robbed graves and made flesh-suits that he wore while eating stew out of bowls made of human skulls! I also knew several people who were approached by Jeffery Dahmer (Milwaukee, Wisconsin, serial killer circa 1991 who drugged, raped, killed, dismembered, and ate almost 20 men). They all made the smart decision not to take him up on his invitation to go to his place for a drink. Inspiration indeed!
You’ve written detective Sadie Conrad as an African-American woman. Why did you choose this representation for the character?
In all of my novels I try and represent a healthy balance of racially diverse people because I want to appeal to a wider audience, even in this case in which it isn’t truly authentic. I made a conscious decision to make Sadie’s character African-American because when I grew up in Green Bay in the ’70s-’90s it wasn’t a very racially diverse area, so it really shows that she’s an exceptionally skilled detective to break through the barrier of being a woman and being African-American. In other words, she’d truly have to know her stuff to work for a mostly male police station (there were very few female police officers who worked for the Brown County Sheriff’s Department during that time) in a predominantly white community. I felt that specific environment would make her stronger as both a detective and a woman, to prove she could tackle the job just as well as any man, of any race. And when crunch time comes, she’s not afraid to get her hands dirty. The novel embraces themes of female empowerment, and I thought, “Who would best represent a strong female than one who is cast in this situation?”
Why do you think people seek out media that scares them?
In a controlled environment, having the crap scared out of you is fun! Psychologically, horror stories can take you through a fiendishly nightmarish landscape, so by proxy, your own problems seem insignificant in comparison. And fear is a very motivating feeling, so it’s best to embrace it by confronting your demons. By delving into this darkness, one inevitably becomes stronger in the process.
How do modern-day political and social climates affect your writing?
All of my ideas are inspired by the modern-day social and political climates in which I am writing them; I simply can’t help it. I consider myself a humanitarian, and even though I put my characters through torturous situations in which the majority of them are killed, I’d like to think of these novels as social experiments, possibly character studies by which to live (or die) by. Who doesn’t enjoy reading/watching the bloated, sleazy politician falling into a bed of hypodermic syringes before being eaten alive by mutants? In fiction, we get to shape how we want to see the world, maybe try and make it a better place by giving the average person the satisfaction they most likely won’t get in real life. And by writing about these themes, at least they are being talked about. We shouldn’t cringe from the reality in which we are thrust; we should try to think of ways in which we can change the world for the better.
You dropped out of college to pursue your passion for music. How did that decision ultimately affect your life and your writing career?
One of the worst decisions I ever made was dropping out of college; my headspace at the time was that of a young man deluded by his musical obsession with absolutely no foresight of the future. If I could go back in time, I’d go back to 1990 and stay in school to at least earn a bachelor’s degree in English versus having nothing. I had some fun, saw a lot of this fine country, and made acquaintances with many charming ladies, but ultimately, I gave myself nothing to fall back on when the bottom dropped out and I couldn’t sleep in/on cars, floors, warehouses, abandoned lumber yards, or seedy motels anymore. Actually, though, the decision may have been a good thing for my creative writing. I’d been writing my whole life (first thing I ever wrote was a play in second grade where I cast myself as Santa and the girl I liked as Mrs. Clause) but I never took it very seriously, so failing at being a professional musician really inspired me to try and succeed as a professional writer, a goal I have yet to achieve. For this reason, music is always rooted in my writing; I can’t get it out of there. There are song lyrics in the beginning of “Amber Hollow,” and if you Google the bands you won’t find them, because they don’t exist. They are my songs. You know how hard it is to get an artist to allow you the rights to use their songs?!? It was easier to write my own!
What are you working on now?
Being a self-published writer brings about the task of trying to get your work in front of as many people as possible within the constraints of a shoestring budget and the limitations that come without being traditionally published (i.e. larger media snubs because you aren’t “legit”). With that said, I am presently working on getting “Amber Hollow” in as many hands as possible while I revisit my earlier works and decide which one I’ll choose to rewrite, re-edit, and re-publish. I self-published a novel in 2012 called “The Gyre Mission,” about an island of garbage on which I stranded a group of disposable rejects who had to battle mutant animals and humans in a quest for survival. To this day, readers of my books cite this as their favorite novel of mine, but they complain that it was too long and that most of the characters weren’t very likeable. So, to answer the question: I’m going to rewrite “The Gyre Mission,” shorten it up (it was a monstrosity at 280,000 words…think telephone book!), make some of the characters more likeable, and possibly allow someone to live in the end. A total-loss death count seems to bum people out…I don’t know why!
About the author
EDGAR SWAMP is the author of the “Gyre Mission,” “Glitch in the Machine,” and “Blackout.” His short stories have appeared in Alienskin, Macabre Cadaver, and Urban Reinventors. When he isn’t holed up in his office playing online poker, he likes to dig up the recently deceased and make furniture out of their skin. He lives and works in San Diego, California. For more information, visit his website at www.edgarswamp.com.
My thanks to the author for this interview.
Karin Slaughter is the #1 internationally-bestselling author of more than a dozen novels, including the Will Trent and Grant County series and the instant New York Times bestsellers Cop Town and Pretty Girls. She has sold over 35 million books, making her one of the most popular crime writers today. She is passionate, no-nonsense, provocative, and is one of suspense fiction’s most articulate ambassadors. Her Will Trent Series, Grant County Series, and stand-alone novel Cop Town are all in development for film & television. She lives in Atlanta, Georgia. You can learn more about Karin Slaughter and her books over at…….www.karinslaughter.com
Twenty-eight years ago, Charlotte and Samantha Quinn’s happy smalltown family life was torn apart by a terrifying attack on their family home. It left their mother dead. It left their father – Pikeville’s notorious defence attorney – devastated. And it left the family fractured beyond repair, consumed by secrets from that terrible night.
I’ve always been a huge fan of Karin Slaughter’s writing and have pretty much read every book she has ever written, so to say I was excited to see she was publishing a new novel was an understatement! The Good Daughter is a standalone, no sign of Will Trent here (I love this series by the way) and once again the author has shown why she is considered to be one of the world’s most popular and acclaimed storytellers. I was surprised to find The Good Daughter isn’t as fast paced or as graphic as the authors previous books, although some of the scenes and subject matter may not be to ever reader’s taste I must admit! After finishing The Good Daughter I definitely think this is the authors most ambitious and powerful book yet!
The book review café 